Modernity’s movement of inclusiveness is reversing monstrous injustices. Old, white, male intellectuals and artists are rightly downgraded in importance and their authoritativeness disavowed in the face of modern writers and artists from marginalized communities. Unfortunately, a consequence of this is the destruction of history. A thread of thoughts and a conversation can be stretched from Homer to Cicero to Pope to Orwell but then slowly is thinned into nonexistence. What happens when we no longer value the ideals and conversations that have formed Western Culture? The values of justice, individualism, freedom of thought, and political thought have all sprung from the Western Canon. Numerous individuals and artists were enriched from their participation and examination of those works. It is ironic that a white, Western, male-dominated strain of thought that centered on the superiority of logic and on the equality of mankind has undermined the august position of the progenitors of those ideals.
A sad fact is that minorities in Western society fundamentally lack power. Many gains made by minorities in the realms of social justice and equality are, in fact, granted by the majority. In much the same way, works reacting to the dominance of the white patriarchy are derivative of that same system of thought. If artists truly want to break from current power structures, radical, original art must be produced AND disseminated from sources that are entirely minority. Beyoncé’s “Lemonade” has generally been viewed as a pop-cultural piece rooted in minority experience, but it is promoted and released through corporate structures that are largely owned by white males.
If the Western Canon is to be disavowed, a new, radical minority-driven Canon should replace it with original thought and ideals, instead of being a reaction, there must be creation as well as destruction. If this does not occur then we will have abandoned the good of Western culture while disposing of the evil without actively replacing the missing virtues.